My AA302 Notes - 2005

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Critical vocabulary

The following are useful language to include in your AA302 TMAs... if you are unsure of any definitions, either have a look in Grove online (if you're an OU student) or see if I've mentioned it in my A214 definitions

Themes

  • Chromatic
  • Modal
  • Sequential
  • Ostinato / 'riff'
  • Recitative-like / monotone
  • Sectional (strong cadence delineation)

Texture

  • Dense, sparse, widely spaced
  • Chordal / homophonic
  • Polyphonic (voices) / contrapuntal (instruments)
  • Imitative / fugal / canonic
  • Unison / doublings
  • Echo / antiphonal
  • Solo / tutti
  • Pedal-point / inverted pedal
  • Falsobordone (chordal chanting)

Harmony

  • Diatonic / chromatic / modal
  • Dissonant
  • 'Continuo'
  • Suspensions
  • Ground bass
  • 12-bar blues
  • 'Circle of fifths'
  • Pedal-point / inverted pedal

Rhythm

  • Ostinato
  • Syncopation
  • Hemiola (3/4 feels like 2/4)
  • Fluid
  • Regular stresses/strong sense of beat

Tempo

  • Tempo rubato
  • Stretta

Dynamics

  • Terraced (Baroque) v. graded (19th Century onwards)

Instrumental Effects

  • Pizzicato / arco / con sord
  • Staccato / legato / tongued / bowed
  • Glissandi
  • Pedalled or una corda
  • Cadenza
  • Continuo
  • Register
  • Vocal
  • Syllabic... un-der-lay
  • Melismatic... underlay
  • Sprechstimme
  • Portamento
  • Tessitura

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Last updated: 19 February, 2005